Works
Perception. Memory. Space.
Core Projects
Sustained investigations.
Residual Surfaces
Walking in The Cities
2020 – ongoing
This series emerges from a sustained observation of urban space, approached through walking as a method of attention rather than movement.The images isolate fragments of architecture, surfaces, and light, where the visible is reduced to essential relations. Human presence appears only intermittently, as a transient element within a stable spatial structure.
While the work originated in a moment of altered urban rhythm, its focus is not on a specific condition, but on a continuous search for intervals of stillness within the contemporary city.The project reflects on what remains when activity recedes: surfaces, traces, and subtle tensions that persist beneath the visible flow of daily life.
Machihazure
Margins. Transition. Resilience.
2022 - ongoing
Begun in Ebina, on the outskirts of Tokyo, the project focuses on peripheral urban districts shaped by domestic routines, modest economies, and aging communities. It later expanded across neighborhoods in Tokyo and Yokohama, where similar spatial and social conditions persist.
These environments appear quieter and more accessible than central areas, yet they reveal subtle forms of isolation and gradual transformation. Architecture becomes a marker of lived experience, while atmosphere reflects the fragile condition of communities at the edge of metropolitan expansion.
Unexpected Landscape
Light. Familiarity. Transformation.
2021 – ongoing
This project approaches landscape as an unstable perceptual field rather than a fixed representation.Through reduction, light, and the presence of isolated elements, familiar environments are subtly altered. The images move between recognition and ambiguity, where natural forms and human traces coexist without hierarchy.
Landscape is no longer a place, but a temporary condition shaped by perception.
Extended Research
Parallel explorations.
Experience
Digital perception. Reality.
2022-2025
This series reflects on perception at the intersection of digital immersion and direct observation. Inspired by immersive environments such as TeamLab in Tokyo, where light and projection construct artificial spatial conditions, the work examines how technology shapes and intensifies visual experience.
Similar sensations emerge in natural settings — in the movement of water, the modulation of light, and the quiet observation of living environments. What appears digitally generated often finds its counterpart in attentive looking at the physical world.
Experience investigates this threshold, where constructed and natural phenomena converge into a renewed awareness of seeing.
Blu in Italy
Anonymous intervention. Distance.
2014-2019
This project documents anonymous murals created by the street artist Blu across different locations in Italy. Executed primarily in black and white and integrated into urban surfaces, these works address social and political themes while remaining detached from authorship and institutional visibility.
Photographed with large format cameras and translated again into monochrome, the images reposition the murals within a distinct material and temporal dimension. The process does not simply archive the works, but reframes their presence within the urban landscape and their dialogue with society.
Abstraction #1
Form. Reduction. Everyday matter.
2021-ongoing
Abstraction #1 explores forms of abstraction that already exist within everyday reality. Rather than constructing abstract compositions artificially, the project seeks elements — surfaces, objects, fragments — that reveal their potential for detachment from context.
Through precise framing and tonal reduction, the subject is isolated and transformed into a study of structure, light, and form. The resulting images oscillate between recognition and abstraction, emphasizing perception as a process of reinterpretation.
